|
| Knifings: such sweet sorrow. |
|
|
|
|
| Sibling. Rivalry. Singing. Chivalry. |
|
|
|
|
| Musical is finger-clickin' good. |
|
|
|
|
| Warring gangs of ballerinas. |
|
|
|
|
| Natalie would, Marni did! |
|
|
|
|
| NY ethnic divisions multiply. |
|
|
|
|
| Romeo! Juliet! The Musical! |
|
|
|
|
| Romeo, Juliet with dancing. |
|
|
|
|
| Bernstein's Music, Shakespeare's story. |
|
|
|
|
| Singing, dancing juvenile delinquents. |
|
|
|
|
| Gangs rumble, Maria crumbles. |
|
|
|
|
| Rumble causes mourning Wood. |
|
|
|
|
| Tony Montague. Maria Capulet. |
|
|
|
|
| Tamblyn, Chakiris: AmeRican revolution. |
|
|
|
|
| Tony's comin' tonight, Maria! |
|
|
|
|
| Pretty, witty, bright, doomed. |
|
|
|
|
| Jets jet�, Sharks sashay. |
|
|
|
|
| Singing, streetfighting, gangs, N.Y. |
|
|
|
|
| Natalie's lip-syncing still irritates. |
|
|
|
|
| Michael's 'Beat It' inspiration. |
|
|
|
|
| Tony = Romeo, Maria = Juliet. |
|
|
|
|
| Something's coming, alright: Death. |
|
|
|
|
| Singing Shakespearean Puerto Ricans. |
|
|
|
|
| Gang members prance around. |
|
|
|
|
| Maria is Natalie attired. |
|
|
|
|
| Star-cross'd lovers with attitude. |
|
|
|
|
| Fire escape romance doomed. |
|
|
|
|
| Song, love, dance, Shakespeare! |
|
|
|
|
| Snappy 'Romeo and Juliet'. |
|
|
|
|
| Dancing, prancing street thugs. |
|
|
|
|
| Krupke just hates everybody. |
|
|
|
|
| Krupke can't keep concord. |
|
|
|
|
| Dancing delinquents win Oscars. |
|
|
|
|
| Hoofers good fighters? Not! |
|
|
|
|
| Jets frequently airborne. |
|
|
|
|
| NY gangs sing Shakespeare. |
|
|
|
|
| Sharks attack whites only. |
|
|
|
|
| Shakespeare for social workers. |
|
|
|
|
| Musical Shakespeare in NYC. |
|
|
|
|
| Dancing gangs = good romance. |
|
|
|
|
| Krupke's beat, Shark-infested neighborhood. |
|
|
|
|
| Maria, Tony, romance, singing. |
|
|
|
|
| Romeo + Juliet as musical. |
|
|
|
|
| Maria, Tony, friendships phony. |
|
|
|
|
| Sharks vs. Jets, Daddy-o! |
|
|
|
|
| Lenny's musical synthesis= masterpiece. |
|
|
|
|
| Sharks, Jets start rumble. |
|
|
|
|
| Julliet changed to Maria. |
|
|
|
|
| 60s, ballet, castinets, gangs. |
|
|
|
|
| Tony rumbles, takes tumble. |
|
|
|
|
| Deadly dancing delinquents. |
|
|
|
|
| Gangs commit drive-by sing-songs. |
|
|
|
|
| Community conflict cunningly choreographed. |
|
|
|
|
