|
|
 |
M�pris, Le (1963) |
| 28 reviews |
|
Film rated 4.6 / 5
(Chick rating: 5 / 5)
(Guy rating: 4.5 / 5)
|
|
|
|
|
|
|
| Bardot's Romeo wrecks Alfa. |
|
|
|
|
| Godard's multi-layered Odyssey. |
|
|
|
|
| Lang-uid 'Odyssey' upsets producer. |
|
|
|
|
| Palance's Prokosh produces, seduces. |
|
|
|
|
| Contempt culminates on Capri. |
|
|
|
|
| Producer Palance prods Piccoli. |
|
|
|
|
| Bardot becomes bodacious odyssey. |
|
|
|
|
| Cinematic adultery at Capri. |
|
|
|
|
| Crass producer cuckolds screenwriter. |
|
|
|
|
| Piccoli recites Inferno 26. |
|
|
|
|
| Lang recites H�lderlin poem. |
|
|
|
|
| Godard fetishizes Bardot's backside. |
|
|
|
|
| Godard's conjugal mystery movie. |
|
|
|
|
| Bardot bares beautiful buns. |
|
|
|
|
| Writer loses wife's love. |
|
|
|
|
| Piccoli's 'Odyssey' of humiliation. |
|
|
|
|
| Javal's contempt's an Odyssey. |
|
|
|
|
| Godards contempt-able Lang odyssey. |
|
|
|
|
| Godard deconstructs Bardot mystique. |
|
|
|
|
| Palance steals Piccoli's wife. |
|
|
|
|
| 35-minute marital dispute. |
|
|
|
|
| Writer's selfishness breeds contempt. |
|
|
|
|
| Piccoli pimps wife Bardot. |
|
|
|
|
| Piccoli portrays spineless screenwriter. |
|
|
|
|
|
|
