|
| Vietnam, madness, mind fork. |
|
|
|
|
| Doors, Duvall, danger, darkness. |
|
|
|
|
| Napalm smells like victory. |
|
|
|
|
| Sheen, Coppola: emotional breakdowns. |
|
|
|
|
| Nutboy slices mumbling baldy. |
|
|
|
|
| Drugged Yanks napalm villages. |
|
|
|
|
| Wiry Martin, chunky Marlon. |
|
|
|
|
| Helicopters, Wagner and napalm. |
|
|
|
|
| Brilliant, sweaty bloody mess. |
|
|
|
|
| "Borrowed" from Conrad's masterpiece. |
|
|
|
|
| Brando's jungle mumbo jumbo. |
|
|
|
|
| Colonel quest induces yawns. |
|
|
|
|
| Vietnam immersion on LSD. |
|
|
|
|
| Bald Brando bonkers, bananas. |
|
|
|
|
| Truth through the abstract. |
|
|
|
|
| Larry Fishburne reaches puberty. |
|
|
|
|
| Sheen cruises, Brando bemuses. |
|
|
|
|
| Sailing upstream to Brando. |
|
|
|
|
| Hugh Hefner sends reinforcements. |
|
|
|
|
| Stolen from Herzog's 'Aguirre'. |
|
|
|
|
| Godfather as jungle dweller. |
|
|
|
|
| Wagner's 'G�tterd�mmerung' signals attack. |
|
|
|
|
| Captain Kilgore loves napalm. |
|
|
|
|
| Napalm smell brings victory? |
|
|
|
|
| War insanity aptly depicted. |
|
|
|
|
| Napalm, Wagner, madness, horror. |
|
|
|
|
| Vietnam Charlie dont surf. |
|
|
|
|
| Kurtz's command curtailed. |
|
|
|
|
| Helicopters moved by Wagner. |
|
|
|
|
| Willard's journey through hell. |
|
|
|
|
| Insane colonel, insane war. |
|
|
|
|
| Sheen schizo; Brando beheaded. |
|
|
|
|
| Krazy Kurtz awaits comeupponance. |
|
|
|
|
| Marlon Brando gives head. |
|
|
|
|
| Brando overacts, goes mad. |
|
|
|
|
| Drunk Sheen punches mirror. |
|
|
|
|
| Wagnerian helicopter scene surreal. |
|
|
|
|
| Aroma of napalm intoxicating. |
|
|
|
|
| Sheen flipped, Brando ate. |
|
|
|
|
| Morning's napalm kills confusion. |
|
|
|
|
| Errand boy collects bill. |
|
|
|
|
| Surfer Duvall cinematic immortality. |
|
|
|
|
| Sheen goes hunting Marlon. |
|
|
|
|
| Coppola's Heart of Darkness. |
|
|
|
|
| Sheen's surrounded by insanity. |
|
|
|
|
| Kilgore loves napalm smell |
|
|
|
|
| Coppola captures humanity's inhumanity. |
|
|
|
|
| Vietnam 'Heart of Darkness'. |
|
|
|
|
| Victory scent curiously debilitating. |
|
|
|
|
| Chopper, Hopper, acid dropper. |
|
|
|
|
| Coppola's Ceylonese Vietnam horror. |
|
|
|
|
| Brando's Heart of Darkness. |
|
|
|
|
| Sheen calls Kurtz, collect. |
|
|
|
|
| Cow, Brando slaughtered simultaneously. |
|
|
|
|
| Insane Godfather in jungle. |
|
|
|
|
| Napalm in morning. Genius. |
|
|
|
|
| Wagnerian Vietnam epic dazzles. |
|
|
|
|
| Smell napalm, find Brando. |
|
|
|
|
| Coppola's ego- 'The Horror'! |
|
|
|
|
| Napalm, boat, acid, dropped. |
|
|
|
|
| Martin, Brando's commune-ist block. |
|
|
|
|
| Slaphead Marlon's Viet- conga. |
|
|
|
|
| Naplam morning smell? VICTORY! |
|
|
|
|
| Sheen ferrets out Brando. |
|
|
|
|
| Napalm, booze, obsession, redemption. |
|
|
|
|
| Sheen sails, tragedy avails. |
|
|
|
|
| Francis Ford steers Ford. |
|
|
|
|
| Brando plays Cambodian God. |
|
|
|
|
| Brando's rage against Ma-Sheen. |
|
|
|
|
| Shadowy mumbling despot disposed. |
|
|
|
|
| Sheen desperately seeking Brando. |
|
|
|
|
| Petroleum jelly - delightful odour. |
|
|
|
|
