|
| Wagner's 'G�tterd�mmerung' signals attack. |
|
|
|
|
| Brando overacts, goes mad. |
|
|
|
|
| Coppola's Ceylonese Vietnam horror. |
|
|
|
|
| Shadowy mumbling despot disposed. |
|
|
|
|
| Kurtz quest quite compelling. |
|
|
|
|
| Conrad's Marlow... Coppola's Willard. |
|
|
|
|
| Kurtz. Natives. Americans. |
|
|
|
|
| Natives worship offbeat Colonel. |
|
|
|
|
| Army informally discharges Colonel. |
|
|
|
|
| Coppola's epic opens Doors. |
|
|
|
|
| Vietnam's swell for surfers. |
|
|
|
|
| Kurtz loses military bearing. |
|
|
|
|
| Helicopter attack classically done. |
|
|
|
|
| One animal definitely harmed. |
|
|
|
|
| Vietnam Charlie dont surf. |
|
|
|
|
| Captain Kilgore loves napalm. |
|
|
|
|
| Napalm smell brings victory? |
|
|
|
|
| Morning's napalm kills confusion. |
|
|
|
|
| Sheen ferrets out Brando. |
|
|
|
|
| Napalm, booze, obsession, redemption. |
|
|
|
|
| Sheen sails, tragedy avails. |
|
|
|
|
| Martin, Brando's commune-ist block. |
|
|
|
|
| Vietnam atrocities include bovinicide. |
|
|
|
|
| Soldier contemplates killing Kurtz. |
|
|
|
|
| Green Beret Brando Baddie. |
|
|
|
|
| Brando fattened by natives. |
|
|
|
|
| Colonel's extreme prejudice termination. |
|
|
|
|
| Mr.Sheen polishes Brando. |
|
|
|
|
| Vietnam, madness, mind fork. |
|
|
|
|
| Doors, Duvall, danger, darkness. |
|
|
|
|
| Vietnam immersion on LSD. |
|
|
|
|
| Truth through the abstract. |
|
|
|
|
| Sheen cruises, Brando bemuses. |
|
|
|
|
| Krazy Kurtz awaits comeupponance. |
|
|
|
|
| Coppola's Heart of Darkness. |
|
|
|
|
| Kilgore loves napalm smell |
|
|
|
|
| Martin murders mad Marlon. |
|
|
|
|
| Sheen assassinates bald Brando. |
|
|
|
|
| Marlon Brando's Jungle Love. |
|
|
|
|
| Marlon's appearance shaved down. |
|
|
|
|
| Sheen, Coppola: emotional breakdowns. |
|
|
|
|
| Nutboy slices mumbling baldy. |
|
|
|
|
| Drugged Yanks napalm villages. |
|
|
|
|
| Helicopters, Wagner and napalm. |
|
|
|
|
| "Borrowed" from Conrad's masterpiece. |
|
|
|
|
| Colonel quest induces yawns. |
|
|
|
|
| Willard's journey through hell. |
|
|
|
|
| Sheen schizo; Brando beheaded. |
|
|
|
|
| Coppola captures humanity's inhumanity. |
|
|
|
|
| Bartlett pairs with Brando. |
|
|
|
|
| Choppers as Wagnerian Valkyries. |
|
|
|
|
| Brando recites T.S. Eliot. |
|
|
|
|
| Brando becomes chop suey. |
|
|
|
|
| Petroleum jelly - delightful odour. |
|
|
|
|
| Fighting Fishburne's first film. |
|
|
|
|
| Water deemed surf-friendly. |
|
|
|
|
| Napalm, Brando, Sheen's meltdown. |
|
|
|
|
| Cambodian Godfather goes crazy. |
|
|
|
|
| Clean massacres sampan passengers. |
|
|
|
|
| Brando serves Chef's head. |
|
|
|
|
| Soldiers surf, get killed. |
|
|
|
|
| Sheen calls Kurtz, collect. |
|
|
|
|
| Smell napalm, find Brando. |
|
|
|
|
| Coppola's ego- 'The Horror'! |
|
|
|
|
| Napalm, boat, acid, dropped. |
|
|
|
|
| Brilliant, sweaty bloody mess. |
|
|
|
|
| Wiry Martin, chunky Marlon. |
|
|
|
|
| Sheen makes Kurtz-y call. |
|
|
|
|
