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Rash�mon (1950) |
| 38 reviews |
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Film rated 4.7 / 5
(Chick rating: 5 / 5)
(Guy rating: 4.6 / 5)
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| Kurosawa's tripartite reality check. |
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| Violent violation viewed alternately. |
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| Rape, murder: whose p.o.v.? |
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| Breeze unveils the beauty. |
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| Rape from different viewpoints. |
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| Kurosawa's four unreliable narrators. |
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| Kurosawa's memory puzzle movie. |
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| Mori's murder, Mifuni's mindset. |
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| Water, gate. Crime-covering lies. |
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| Bandit, wife, swordsman disagree. |
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| Kurosawa explores multiple viewpoints. |
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| Ancient Japan reviews rape. |
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| Kurosawa explores jungle murder. |
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| Woodcutter�s story stops rain. |
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| Ghost considered credible witness. |
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| Rape gets spiritual confession. |
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| Kurosawa's crime gets three-peat. |
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| Three stories, one crime. |
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| Unforeseen. Seen by four. |
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| Swordsman hero or coward? |
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| Mifune: maniacally mirthful murderer. |
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| One murder, three confessions. |
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| Kurosawa's thrice told tales. |
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| Japanese rape offers perspective. |
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| Bandit. Lady. Gentleman. Woodcutter. |
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| Kurosawa calls subjective witnesses. |
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| Funhouse mirrors, with kudzu. |
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| Crying baby restores faith. |
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